Pyar Kiya toh Drama Kyon

17/06/2008

i was watching this program on CNN IBN regarding Valentine’s day. Why should we have such a day? Is it borrowed from western culture? whats wrong with it?
My take on this- Its bloody well borrowed from western culture. Yes it it not wrong to love or express it- donot forget its India that taught the world Love and Sex (Khajuraho).
What i find objectionable is the duality and hypocrysy in the whole concept of Valantines day. Started as a day for lovers now extends itself that its a day for mother’s love etc. what bull shit ? Do they think we dont know the story of Saint Valentine? then there is mothers day, father’s day etc.
now if one wants to really celebrate such days,then why not have a Kanva Maharshi day- the one who united Shakuntala and Dushyanta. or in the name of the Brahmin who was the messenger between Rukmini and Krishna. Why not have Dasharatha day and Yashoda day? So Indian and so ours. But no we will not even care to hear this argument. these names are sooo old and sooooooooooo Indian that most of the Indian youngsters feel awkward to celebrate it and the companies find it hard to market them. I would die of shock if half my readers even know the stories and names i mentioned above.
it is so fashonable to trash all that is Indian culture and beliefs and so convienient to take the western shit. youngsters today dont even put that minimum effort to find out why and how belief survived millions of years. just as easy to name SOMRAS as the modern day alcohol. foolish!!
Atleast I am not ready to become another Gora Slave.

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Bharatanatyam And Yoga Part -10

17/06/2008

CONCLUSION

The Upanishads say, “Devo Bhutva Devam Yajet” meaning – “Become a God in order to worship God.” India has always embodied this eternal principle in its culture and has spread it across the seas. Dancing was considered the religious ceremony most pleasing to the Gods and dedication of all activity to the Divine was the highest form of worship.

According to the Natya Shastra, “There is no wisdom, nor knowledge; no art nor craft; no device, nor action that is not to be found in Natya”.

Brahma, created the fifth Scripture, Natya Veda, the scripture of the Dance, presenting moral and spiritual truths in a form, which is easy to understand, even for the masses. Brahma then said to the people, “This art is not merely for your pleasure, but exhibits Bhava (emotion) for all the three worlds. I made this art to reflect this world, whether in work or play, profit, peace, laughter, battle or slaughter. This art shall teach men that the fruit of righteousness will be given to those who follow Dharma, the Moral Law. The spirituality of this art shall be a restraint for the unruly, a discipline for the followers of rule. It will create wisdom in the ignorant, learning in scholars, afford sport to kings and endurance to the sorrow-stricken. Replete with the diverse moods, informed with varying passions of the soul, linked to the deeds of all mankind, the best, the middling and the low, affording excellent counsel, and all else, this great art shall console and elevate the world”.

A distinctive feature of the Bharatanatyam  is the fact that it conceives of movement is space mostly along either straight lines or in triangles or in circles, by which we gain a lot of energy. These movements are in actual act, moving lines, which come together in discernible patterns. These patterns reflect or mirror the Mandalas (mystic shapes or forms), which are associated with the six Chakras of the human psychic energy body (Sukshma Sharira, as it is termed in Yoga).

Bharatanatyam  is no less a spiritual search than the Sanyasi’s way of renunciation. Yoga and Bharatanatyam  are both a means by which “with body, mind and soul we may pray to the Divine.” These great arts help us to divinize ourselves, to develop spiritual qualities of loyalty, fidelity, a sense of Dharma, discipline, awareness, sensitivity, strength, courage, skill, cooperation, diligence, health, happiness and well being, serenity and peacefulness of mind.

May the artistic community of this great nation of Bharat strive to keep the purity of its great cultural heritage intact, inspiring people in all times to follow the advice of the great Rishi Veda Vyasa, who exclaimed at the end of his great epic, the Mahabharatha:

“Oh man know this! Do your Dharma (Ordained virtuous duty)! Then Artha (wealth) and Kama (fulfillment of desire) shall automatically come to you. Having fulfilled yourself in Artha and Kama, you will then seek and obtain Moksha! Hence I say, “Do your Dharma and all else shall come automatically to you.”

The great art of Bharat Natyam surely shows us how we may fulfill our Dharma in a most refined, pleasing, enjoyable, dignified, beautiful and joyful manner and attain that final union with the Supreme Self.

REFERENCES

1.         Bhavanani Ananda Balayogi .A Yogic approach to stress. Satya Press, Ananda Ashram Pondicherry, 2000

2.         Bhavanani Ananda Balayogi. A primer of Yoga theory. Satya Press, Ananda Ashram Pondicherry, 2004

3.         Bhavanani Meenakshi Devi. Yoga: One woman’s view. Satya Press, Ananda Ashram, Pondicherry. 1985

4.         Coomaraswamy Ananda. The Mirror of Gesture: Being the Abhinaya Darpana of Nandikeswara. Munshiram Manoharlal. New Delhi.1997.

5.         Gitananda Giri Swami and Meenakshi Devi Bhavanani, Yoga and Sports, Satya Press, Ananda Ashram, Pondicherry

6.         Gitananda Giri Swami, Ashtanga Yoga of Patanjali, Satya Press, Ananda Ashram, Pondicherry

7.         Gitananda Giri Swami. Mudras. Satya Press, Ananda Ashram, Pondichery.1975

8.         Gitananda Giri Swami. Yoga: Step By Step, Satya Press, Ananda Ashram, Pondicherry. 1970

9.         Hinduism Today July 1992.Yogi Playwright Infusing Indian Theatre With More Atma and Altruism

10.       Kothari Sunil. Bharata Natyam: Indian classical dance art. Marg Publications. 1979.

11.       Ramanathan Leela. Moving sculpture, frozen dance. Sunday Herald, Deccan Herald, Sundays, January 18 and 25, 2004

12.       Sudhakar Kanaka. Indian classical dancing: The therapeutic advantages. Sterling Publishers,  New Delhi.1994

13.       Vivekananda Kendra Patrika, Yoga – The Science Of Holistic Living, Bangalore

14.       http://www.geocities.com/Tokyo/Shrine/3155/hasta

15.       http://www.ignca.nic.in/ks_14_cn.htm#KARANA

16.       http://www.kanakasabha.com/hastas/index

17.       http://www.nadanam.com/bharatnatyam

18.       http://www.pir.net/~beth/main

19.       www.shilpkalamart.com/classicaldances

Please note that the whole series is just a reproduction of the material at http://www.dhdi.free.fr/recherches/horizonsinterculturels/articles/bharatanatyamyoga.htm

 

 


Musings of an Idle mind

17/06/2008
I used to attend weekend bhartanatyam classes with my sister, who is very talented.
i was very happy to bunk those classes too. So i went on with a lot of breaks. but i was always associated with theatre and acting. i  thought that is what it is all about in my life. i am a person for stage and theatre it is for me.
when i got married, it took a while for me to get transferred to the branch in bangalore. so active iam, i was bored sitting all day at home and was panicking that i am bloating each day. then just a thought crossed my mind, why not start bharatanatyam? it was not so surprising then, but a wonderful guru used to stay right up my place.
after a few classes, i overheard whispering to one of her senior students that i look good while dancing. as old habits die hard, i still used to make excuses not to go to the class. meanwhile my transfer happend and i started working. so classes pushed to weekend This lady, my guru, used to wake me up every saturday and sunday at 7.30 am and took me to the class  with her, so i dont bunk making excuses. she waited outside all the while i brushed my teeth, occasionally shouting that i can have my bath after iam back from the class.
then i had my daughter. one night i just wokeup, from my sleep. it was like a spiritual awakening. i cried and aplogised to my guru for being so blind, for being so ignorant, for being so foolish. and i kept on doing it the whole night. may be even now, as i write this. that moment i realised. there was no job, only dance. why bharatanatyam, i dont know, may be gods will.
i never knew its importance and value then. now when i look back, i know what i miss. by the grace of the god, its not too late. now when i look back , i know everything was/is predestined. today i dance for 2hrs a day, but my heart yearns for my guru’s presence.
who ever praises my dance, i still look forward for her comments. my guru. something makes me think, feel she knew it. she knew it right from the beginning, the moment she saw me. she knew my destiny and she showed me the path. only later i realise.